Browsing by Author "Nuaon Khrouthongkhieo"

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    Creative Products Based on Local Wisdom Derived from Mural Paintings of Suphan Buri Province, Thailand
    (Universitas Negeri Semarang, 2024) Titiya Netwong; Nuaon Khrouthongkhieo; Bunpod Pijitkamnerd; T. Netwong; Suan Dusit University, Thailand; email: titiya_net@dusit.ac.th
    Mural painting is a branch of fine art that reflects the excellent culture of Thailand and the development of creative products based on local resources to add value to the community. Promoting community-based tourism is implementing knowledge and findings from the study of mural paintings to be developed into creative products to create value-added local wisdom knowledge. The objectives of this research were to 1) design creative products based on local wisdom derived from mural paintings and 2) organise training and a workshop to pass on the knowledge of creating creative products based on the wisdom of the mural paintings of Suphan Buri Province, Thailand. The sample group consisted of 1) 75 people members of the community who set up murals in Suphan Buri Province, 2) five experts for evaluated product prototypes, 3) 400 tourists to satisfaction products, and 4) 22 participants for knowledge transfer. The research tools consisted of 1) The wisdom-based creative product prototype assessment form, 2. The wisdom-based creative product satisfaction questionnaire, and 3) The knowledge transfer project satisfaction assessment form. The data were analysed using mean, standard deviation, and content analysis. The research results were as follows: 1. The creative products of paper stencils framed from Wat Pratoosan and Wat No Bhuddhangkun had an overall satisfaction at a high level. The overall satisfaction was high for creative products using the 12 zodiac signs from Wat Chi Pa Khao to design and print on T-shirts. 2. The overall satisfaction in the knowledge transfer activities was at the highest level. © 2024, Universitas Negeri Semarang. All rights reserved.
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    Creative Products Based on Local Wisdom Derived from Mural Paintings of Suphan Buri Province, Thailand
    (2023-11-02) Titiya Netwong; Nuaon Khrouthongkhieo; Bunpod Pijitkamnerd
    Mural painting is a branch of fine art that reflects the excellent culture of Thailand and the devel-opment of creative products based on local resources to add value to the community. Promoting community-based tourism is implementing knowledge and findings from the study of mural paintings to be developed into creative products to create value-added local wisdom knowledge. The objectives of this research were to 1) design creative products based on local wisdom derived from mural paintings and 2) organise training and a workshop to pass on the knowledge of creat-ing creative products based on the wisdom of the mural paintings of Suphan Buri Province, Thai-land. The sample group consisted of 1) 75 people members of the community who set up murals in Suphan Buri Province, 2) five experts for evaluated product prototypes, 3) 400 tourists to sat-isfaction products, and 4) 22 participants for knowledge transfer. The research tools consisted of 1) The wisdom-based creative product prototype assessment form, 2. The wisdom-based creative product satisfaction questionnaire, and 3) The knowledge transfer project satisfaction assessment form. The data were analysed using mean, standard deviation, and content analysis. The research results were as follows: 1. The creative products of paper stencils framed from Wat Pratoosan and Wat No Bhuddhangkun had an overall satisfaction at a high level. The overall satisfaction was high for creative products using the 12 zodiac signs from Wat Chi Pa Khao to design and print on T-shirts. 2. The overall satisfaction in the knowledge transfer activities was at the highest level.
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    Paintings Depicting Beliefs from Phrommachat Texts in Wat Chi Pakhao, Bang Plama, Suphanburi
    (Siam Society under Royal Patronage, 2023) Nuaon Khrouthongkhieo; Bunpod Pijitkamnerd; Titiya Netwong
    The ceiling of the teaching hall at Wat Chi Pakhao, Bang Plama, Suphanburi Province is illustrated with paintings related to different methods of divination. These same methods appear in Phrommachat, a genre of popular manuals for foretelling the future and guiding important decisions in life. Nothing is known about the origins, dating, and authorship of the paintings, which appear to be unique. They demonstrate the local beliefs and artistic skills of a local community in Suphanburi. © The Siam Society Under Royal Patronage 2023.
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    Paintings Depicting Beliefs from Phrommachat Texts in Wat Chi Pakhao, Bang Plama, Suphanburi
    (2023-05-31) Nuaon Khrouthongkhieo; Bunpod Pijitkamnerd; Titiya Netwong
    The ceiling of the teaching hall at Wat Chi Pakhao, Bang Plama, Suphanburi Province is illustrated with paintings related to different methods of divination. These same methods appear in Phrommachat, a genre of popular manuals for foretelling the future and guiding important decisions in life. Nothing is known about the origins, dating, and authorship of the paintings, which appear to be unique. They demonstrate the local beliefs and artistic skills of a local community in Suphanburi.
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    San Somdet and the knowledge formation of thai art history in Thailand
    (Silpakorn University, 2021) Nuaon Khrouthongkhieo; N. Khrouthongkhieo; Suan Dusit University, Thailand; email: nuaon_khr@dusit.ac.th
    This research intends to analyze the informing methods of Thai Art Historical knowledge from ÒSan SomdetÓ, a compilation of letters by Prince Narisara Nuvadtivongs and Prince Damrong Rajanubhab. Both princes held prestige positions in Thai bureaucracy during the reigns of King Rama V-VII. Shortly after the shift of ruling regime in Siam, Prince Damrong left Thailand and stayed in Penang. However, he regularly wrote letters to Prince Naris. Later, these letters were compiled and published as ÒSan SomdetÓ. This compilation is acclaimed as a highly historically valued document because its content covers historical, social and cultural knowledge of Siam in that time. This research proposes a new perspective that both princes use systematic, western scientific methods, which has never been studied before, in the process of informing Thai arts and historical knowledge. Those methods are: 1) inquiry and examination information from both princesÕ memories and others scholars, 2) research from written documents, 3) examination from different sources, 4) data collection from field exploration, 5) analysis based on scientific tool and experiment, and 6) dating by comparison between artifactsÕ patterns and materials. Although these methods are not considered an exact criterion in the current Art HistoryÕs methodology, these attempts show the transition of knowledge formation of Thai Art History. The knowledge taken from San Somdet is still resourceful to Thai academics until today. © Copyright International Knowledge Press. All rights reserved.
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    The royal intention to produce works of art in king Vajiravudh's reign
    (Silpakorn University, 2020) Nuaon Khrouthongkhieo; N. Khrouthongkhieo; Art Education Program, Faculty of Humanities and Social Sciences, Suan Dusit University, Bangkok, 10300, Thailand; email: lekkhrouthongkhieo@hotmail.com
    The aim of this research is to study: 1) the influence of local and global contexts on artists' creations 2) artistic patterns created in the reign of King Vajiravudh 3) King Vajiravudh's own intentions. The research uses historical research approaches, which are as follow: 1) Study primary and secondary documents related to the context of art during the reign of King Vajiravudh, such as the writings involving royal histories and the analysis of royal art in both concept and style. 2) Select the works of art that were created according to His Majesty's wishes and the royal initiative of King Vajiravudh. 3) Analyze and synthesize information about the artistic architectures and objects with the information from documents. The research concludes that artists' creations during King Vajiravudh's period were impacted by the lack of solidarity among Thai citizens and globally by conflicts regarding the denial of monarchy, the dissemination of socialism and democracy, and the First World War. Artistic patterns preferred by King Vajiravudh included Thai traditional art, western art, and the combination of Thai and western art. King Vajiravudh's intentions in making art works were to conceptualize memories through the making of ÒMonumentsÓ, to conduct nationalism, and to preserve, direct and create a Thai identity. The conclusions were based on the context during King Vajiravudh's succession period when he confronted the lack of solidarity among people in the country. He used nationalism to encourage the people's spirit. He created national history and communal memories through memorial sites and monuments with the King at the center. He created art works, both traditional Thai and adaptations of contemporary western styles, as a selection to represent Siam's prosperity and civilization. © 2020 Humanities, Arts and Social Sciences Studies. All rights reserved.